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The three covers are: regular, Commemorative, and Leather.

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Grounded space pilot Mary Raven has come to the interzone settlement in the middle of Ignition City, Earth's largest spaceport, to recoved the effects of her dead father... or so people think. Mary really wants to know how he died, and who was responsible. But today might be her last day on Earth, trapped on the last spaceport where no one cares about murder, and the only real currency is fear. She has her dead father's ray gun, and that's enough for space hero-turned-arms dealer Lightning Bowman to want her dead. But when she finds her father's lost diary she discovers something nobody else in Ignition City knows... and they'll want her dead for that, too. From Warren Ellis, the writer who reinvented science fiction in comics, comes IGNITION CITY, a retropunk "future of the past" where spaceships belch smoke and arguments are settled with blaster pistols.

Horror gets a whole lot more terrifying as Warren Ellis unleashes his full-color zombie epic! A tiny little island off the East Coast of America, that sits on its own tiny little fault in the underlying tectonic plate. An odd little history ignored by almost everyone. Until the night of the big storm, and the creak in the fault line, and the release of something foul from the earth's guts, blown across the little town on Smoky Island. And the only two people on the island who were outside its reach are now trapped on a black spit of rock with a population who aren't people anymore. They started eating each other an hour ago.

Five issue promo mini-series released by DC Comics and Dr. Pepper.

Southern Bastards meets Dune in mid-21st century America. After the New Confederacy is crushed in a second Civil War, only Kentucky holds out, not recognizing U.S. sovereignty. This leads to a particularly brutal crackdown in a small mountain town called Red Rock, where a mechanic and reluctant folk hero named Kade Mercer rises up to become the first feudal warlord of Appalachia.

100,000 years before the time of John Carter! Barsoom is a dying world: its once mighty oceans are receding and its atmosphere grows more tenuous by the day. The Orovars, who have dominated for a million years, are on the verge of extinction at the hands of the Green Hordes and the emerging Red Martians. Two Orovars - a Scientist and a General - race against time to save their people before Mars plunges into barbarism!

Martians live forever--everyone knows that. So what was Dejah Thoris doing all those hundreds of years before John Carter arrived? Four hundred years before the events of Warlord of Mars took place, Dejah's nation of Helium was divided into two warring city-states. An unscrupulous overlord from afar encouraged that rivalry to his own advantage, until he discovered a terrible secret from Mars' ancient past beneath Dejah Thoris' capital. A secret to kill for!

John Carter: Warlord of Mars returns in a new monthly series, officially authorized by Edgar Rice Burroughs, Inc.! Superstar writer Ron Marz finally gets to pen the series he has always wanted to write, with amazing new art talent Abhishek Malsuni joining him. Return to the exotic landscape of Barsoom, as John Carter has to save his adopted world, not to mention his beloved Dejah Thoris, from an enemy like no other he has ever faced. John Carter must truly become Warlord of Mars against an adversary who is every bit his equal on the savage red planet. An amazing new era for John Carter of Mars starts here!

Writer and artist Mike Grell was back at the helm for the return of DC's greatest sword and sorcery hero - Travis Morgan, the Warlord. During its late 1970s heyday, the title had been one of DC's best sellers. The new series followed on from the end of Grell's original run, ignoring 2006's attempt at a reboot. Opening with a new group of explorers finding their way to the lost world of Skartaris, the action soon reintroduced Travis and his trusted sidekick Shakira, as the Warlord became involved in helping his old friend Machiste retake the entire Shadow Kingdom. Joe Prado provided the interior art, with Mike Grell producing the covers and script.

DC's original sword-and-sorcery hero returns! A minstrel who sings of the legendary Warlord of the other-dimensional realm of Skartaris is made to go looking for the man behind the myth, to learn all he can about Travis Morgan. What he finds is something very different from what the legends would have him believe.

ntroduction of Travis Morgan into Skartaris is recapped. Tara, the first female lead, and Diemos are re-introduced. Re-capping what transpired in 1st Issue Special #8 (November 1975), the story found Tara training Travis Morgan in the ways of combat as they journeyed to her land, Shamballah. They were soon captured by slave raiders, until Morgan freed Tara and urged her to flee. Because of his defiance, Morgan was sentenced to a slow and painful death, although he would survive and be reunited with Tara before long.

He begins to travel to the one he entrusted with the Reality Gem.

After saving the universe from Thanos and ultimately acquiring his prize, the Infinity Gauntlet, Adam Warlock finds himself on trial, judged by the very cosmic beings who supported him in the conflict.

We start off seeing warlock as an owl who is being perused by the psi-cops, a telekinetic group out to destroy all transmode beings. He lands in a cemetery and at the grave of his "self-friend",Doug Ramsey, he sinks down to see if there are any remains of the transmode virus. Finds a girl that can alter things into techno-organisms, they are attacked and manage to escape!

"The Day of the Prophet!" Script by Roy Thomas, pencils by Gil Kane, inks by Tom Sutton. High Evolutionary guest stars. The story continues from Marvel Premiere 2.

After the events of Warlands Atrelegis, Zeph becomes an archmage and leads a new group of heroes to search for an end to the Winter that has permanently taken over Warlands.

It's bad enough a raid on a technological super-base goes horribly wrong for the Warheads. The portal that took them to the base also went back in time so if Liger doesn't handle the tragic events just so, time and space are at risk.