Second chances are something that are rarely given to humans, even more rarely when Death is the entity giving it to them. Yet, on an ordinary rainy day Death gives Eric Block, a desperate father who has buried his daughter Aurora just few days before, a unique opportunity: seven days of immortality in which to avenge her. The catch? When the seven days are over, he must join his daughter in the afterlife. Now the father shall unleash the wrath upon those responsible in the time he has left.

In turbulent times, when cops are often portrayed as the enemy of the people, Detective Chip Christopher maneuvers the blurred blue line between racism and due diligence in order to do his job. And right now it's his job to investigate Turn, a young black man with a sketchy past -- who was previously exonerated of a similar murder.

Scientifiques, artistes, chefs d'entreprise... ils sont ce que l'humanité a de meilleur. Ils sont l'Avant-Garde. Ils sont le Cutting Edge. Une compagnie financière leur propose de relever un incroyable défi qui mettra leur vie en jeu et les poussera jusqu'à leurs dernières limites. La récompense en est, littéralement, inconcevable. C'est ici que l'histoire change... at the Cutting Edge !

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Stories in this volume include "The Martian Monster," in which a 9-year-old boy befriends a Martian in the woods and asks him to kill his stepmother ― but the "Martian" convinces him that it’s really his father who he should target. There’s sharp social commentary in "…And Then There Were Two!" (highly intelligent robots unveil a plan for world peace, but political opportunists launch an anti-robot campaign to discredit them) and "Prediction of Disaster!" (an astronomer concludes that our sun is about to go nova and tries to warn the world).

EC horror comics are famous for their gleefully ghoulish stories and their outrageous twist endings — served up with a sly wink to the reader and a generous dose of dreadful puns. No artist captured that mood better and made his readers shudder more than “Ghastly” Graham Ingels. Ingels set the standard for fiendishly delightful depictions of dripping slime, dismembered limbs, and shambling corpses. This volume features Ingels’s earliest EC crime and horror work, from the pages of such titles as Tales From the Crypt, Haunt of Fear, Crime SuspenStories, and War Against Crime. Highlights in this volume include Ingels’s very first EC story, two Ingels adaptations of stories by Edgar Allan Poe (including a clever twist on “The Cask of Amontillado” that you won’t see coming), and EC’s first adaptation of a Ray Bradbury story. As with every book in the Fantagraphics EC line, Doctor Of Horror And Other Stories superbly showcases these classic comic book masterpieces and enhances the reader’s experience with commentary and historical and biographical detail from EC experts.

In the not too distant future crime is out of control and chaos reins supreme. Street gangs terrorize the streets of New York and rogue cops patrol dystopian remains of the once great mecca. Now, someone is killing off the Heads of the last remaining Mob Families. Only Alonzo, the Family Man, may be able to stop the madness.

When Richard sees a man run through his yard, he follows him out of concern. This deep in the woods, he must be lost... must be in trouble. Bust soon it's Richard in peril, as this stranger drags him into a deep, twisted web of conspiracy going back hundreds of years.

EC artist Johnny Craig's graphic style is eerily crisp and contemporary. This collection of 25 Craig favorites includes such shockers as “Horror House!,” “Werewolf Concerto,” “Terror on the Moors,” and the title story, “Voodoo Vengeance” ― along with seven Craig crime classics, including Craig’s own personal favorite, “The Sewer!”

Even sixty years after their original release, in a post-Saw-and-Hostel era of explicit horror, EC Comics superstar Graham "Ghastly" Ingels's grisly pages retain the power to shock. His loving depictions of the endless corruption of flesh and nature made him the go-to guy for stories involving swamps, maniacs, and dismemberment - and all three combined to best effect in one of the standouts of this collection of his stories: "Horror We? How's Bayou?" - considered the single most spectacularly drawn of all of EC's horror stories, with a climax that would give body-horror king David Cronenberg nightmares.

Mystic Comics ran during 1944 through 1945 for 4 issues.

As a lone hunter tracks an elusive beast through the forest, he reflects on his life and past love through a series of flashbacks, bringing the story to a climax that is as romantic as it is savage. This powerful short story begs for multiple read-throughs, never giving concrete answers, but (like the best enigmatic endings) leaves your own conclusions satisfying."Beautiful, haunting, and refreshingly mysterious."-Mike Mignola

A fisherman's wife tends the garden and animals while her husband is at sea, but secrets buried under the waves begin to bubble to the surface revealing a secret treachery and forgotten truth. The third and final book in a trilogy of critically acclaimed stand-alone stories by award winning creator Becky Cloonan.

Amityville Horror meets The Conjuring. Our story starts on 1976, when Ronald Mitchell shoots his girlfriend and girlfriend's parents and sister to death in Edgewater, Maryland. Ronald seems like he is possessed and no motive to the murders are found. Later in the same week, five-year-old Tom Hall is watching the news at home concerning the Edgewater murders before his mother notices and takes him away from the TV. Thirty years later, Tom and his newlywed fiancée, Anna, find themselves moving into the same house. They are aware of the house's gruesome past, but Anna convinces Tom that moving there is a good idea, as they would never again find a house like that with such a low price. And thus the stage is set for the tragic events that are about to unfold.

This definitive presentation of Eisner Award winner Brian Michael Bendis’ first cinematic noir comic features re-mastered art and lettering, plus a newly revised script.

After years away, con man David Gold returns to the city he once called home, and finds that nothing as it was. But the man known as Goldfish has come back for one reason, and one reason only: his son.An enigmatic grifter returns to his old haunts to find his old flame practically running the city's underbelly. His oldest friend and ex-partner in crime a police detective. The town itself seems to have turned on him. With everything going against him, how can Goldfish reclaim the only person that he still cares about?

70 years ago, a new publishing company named Marvel Comics stuck its toe into the first waters of the comic book industry. Before they became a pop culture powerhouse publishing famous superheroes like Spider-Man, the Incredible Hulk, and Iron Man, Marvel's first ever comic book featured a daring new anti-hero named the Sub-Mariner, created by legendary artist Bill Everett. 70 years later, Everett's watery creation continues to be one of the pinnacles of the Marvel Universe of superheroes, as attested to by its recent option as a major motion picture. Bill Everett invented comics' first anti-hero in 1939; an angry half-breed (half-man, half sea-creature) that terrorized mankind until uniting with the Allied Forces to conquer fascism's march across Europe during World War II. But the reasons to celebrate Bill Everett's monumental career in comics books don't stop with his water-based hero. Everett was a master of many comic genres, and was one of the pre-eminent horror comic-book artists in the 1950s (before government and societal pressures led the comics industry to censor itself with the imposition of the Comics Code Authority), producing work of such quality and stature that he ranked alongside the artists who produced similar material for the justifiably lauded EC Comics.

An evocative murder mystery set in the Norwegian countryside, this story, like all good murder mysteries, is a stew of passion, buried past crimes, revelations, and sharply defined characters who remain ambiguous to the very end. Norwegian author Stein Riverton's 1908 novel The Iron Wagon has never been translated into English. Now, using a striking two-color drawing style and re-casting the story with his iconic animal characters from his previous graphic novel Sshhhh!, the acclaimed cartoonist Jason has adapted The Iron Wagon into an original graphic novel that will appeal not only to fans of his work but also to mystery fans who will finally have a chance to experience Riverton's clever story. "Jason's work will haunt you long after you've put it down."

Now, for the first time, all of Neal Adams's Batman work - covers and stories - is being chronologically collected. This first volume, featuring Adams's contributions from 1967 through 1969, shows the process of introduction, adaptation, and innovation that the young artist brought to this legendary crimefighter. Along the way, Adams also displays his interpretations of many other DC heroes, including Superman, The Flash, Aquaman, and the Teen Titans, as well as his signature character, Deadman.

DC Comics proudly presents BATMAN BY AZZARELLO & RISSO: THE DELUXE EDITION-tales of one of comics’ most iconic characters by two of its trailblazing talents.They transformed the modern crime comic with their legendary series 100 BULLETS. Here Eisner Award-winning writer Brian Azzarello (JOKER; LUTHOR) and artist Eduardo Risso (Logan) take aim at an even darker target-the Dark Knight himself-in a deluxe hardcover that brings all of their Batman stories together in one volume.BROKEN CITYGotham is a city of shadows, as twisted and dangerous as the monsters and maniacs who haunt it. As he pursues a murderer down a path that leads to some of his greatest enemies, can even the Dark Knight Detective withstand its psychological horrors?...