Frustrated with his dead end career as a chicken feed rep, Joe is looking for something. Turns out that "something" is a four-month-old black lab puppy named Kinski. Joe is going to save this dog. What at first seems like a simple rescue mission escalates into a righteous crusade... but crusades don't usually work out so well, do they? Kinski is written and drawn by Gabriel Hardman.

AL EWING AND ALEX PAKNADEL INTRODUCE THE ORIGINAL HULK! Ten thousand years ago, something green and glowing comes to poison the ancient ground of the Fertile Crescent — and the hearts of its people. One boy is left to bear the consequences — and, for the first time...to open THE GREEN DOOR. Plus: Bruce Banner faces a challenge unlike any he's seen before as writer David Vaughan makes his Marvel debut!

Two exciting and explosive war stories lushly illustrated by Hugo Pratt, comics legend and creator of iconic character, Corto Maltese.

Adopted daughter and principal collaborator of James Fitzroy, roving ambassador, special correspondent for the American Secretary of State in Europe, Susan is a clever, multilingual young woman, in full bloom and perfectly happy in the eyes of an attentive father. But this too-perfect happiness hides many faults, sorrows and mysteries. Trapped by her past, Susan will have to play her most dangerous role in a life already rich with adventure: Lady S, high-class spy in a diplomatic environment.

This is the second unauthorized Batman comic to be written by Josh Simmons, that unsparing specialist in physical, emotional and moral breakdown. The first one was a self-published minicomic printed in 2007 under the simple title of Batman and subsequently posted online; it depicted the caped crusader at his most ideologically severe, lecturing a disgusted Catwoman on how he's devised a magnificent means of permanently disfiguring criminals. Batman cannot ever kill, you see, so it's crucial that the superstitious and cowardly lot that is the criminal element be marked - to live forever with the shame of their transgressions, and to be shunned, then, by all the good people of society. On its own, this is not an original idea. Lee Falk's transitional superhero character and Batman predecessor the Phantom left the mark of a skull on the jaws of those villains he struck, while the yet-earlier pulp character the Spider stamped his brand upon the foes he felled, but Simmons' Batman is depicted with unusual intimacy: knees pressing against his chin as he curls up to dream of packed prisons and children getting blasted with fire-hoses, swooning ecstatically, high above a tottering riot of Gotham rooftops...