LOVF is the sketchbook companion of a man literally losing his mind. Homeless and broke after giving all his stuff to punk-rock heroin dealers, he ends up off his meds and on a secret quest from Portland to Brooklyn, DC, LA, San Francisco, and Seattle. Jammed with cartoons, mad schemes, psychedelic portraits, and notes from the road, LOVF is a travel journal and a mirror of the post-traumatic dreamworld its author can’t escape from, a Kerouacian meltdown of cross-hatching, spattered marker, crayons, glitter, tape, nail polish, Wite-Out, finger-painting, rain, wine, stickers, and word balloons.

Chen Andalou, the black sheep of a prominent activist family, returns after being accidentally put in cryo-stasis for sixty years. Chen, a cosmic criminal, wakes up to find his younger brother is now the President of the Galaxy. Chen does what he knows best: he steals stuff and causes a problem. Astro Hustle is a slick and sexy romp through the stars evoking the sci-fi disco era of the late 70s.

Six issue mini-series.

Meet the Secret Society of Santa Clauses. For centuries, Father Christmas, Ded Moroz, Hoteiosho, and others have magically distributed Christmas cheer to children around the world. But when the source of their power is stolen, a desperate Society turns to an usual source for help: the dreaded Krampus, child-punishing demon of holiday lore. Free of his cell for the first time in decades, will the Krampus uncover the truth behind the Santas' depowering or leave his jailers to their ultimate fate? It's Snake Plissken by way of the Grinch as the darkly comedic adventure begins here.

Gray Morrow's career spanned over forty years - he toiled as an illustrator, comic book storyteller, painter, creator of myths and tales, a ghost artist for others behind on their deadlines, and a comic strip artist. His talents were varied and he was consistently good in a profession where quantity was and is sometimes more important than quality. It's clear to anyone who takes the time to look at his body of work that he had point of view that was consistent, compelling, and good to look at. Orion, his homage to the epic "swashbuckler" newspaper strips of the 1930s and pulp sci-fi and fantasy, was published installments in Heavy Metal magazine in the 1970s, but has never been published in its entirety, until now. Read one of Morrow's favorite efforts which bristles with pulp sensabilites, engaging characters, and non-stop action. Also, Morrow's three comic book story arc, Edge of Chaos, his rumination on the Greek myths, is also assembled, for the first time as a complete story to compliment Orion.