BEHOLD THE FUTURE OF THE MARVEL UNIVERSE - FEATURING THE DEBUT OF TWO NEW MARVEL ICONS! In a devastating future born from the choices of today, all of time and space is threatened by the ascension of an ancient evil. The MOON KNIGHT UNENDING has risen - a nightmare born of StarkTech, the Eternal Machine and the God of the Moon - and now all of Earth bows before his overwhelming power! But one man stands against Khonshu's coming tide of chaos: POWER MAN, the Marvel Universe's final living super hero. But who is Power Man - and how did he come to wield the unstable powers of the Sentry, the Hulk and the Iron Fist? What dark, deeply personal conflict underpins this mind-bending apocalypse? And at the end of the line, can the Marvel Universe ever truly be saved? PLUS - a SHOCKING glimpse into the next year of Marvel stories!

Norma Balitzer is just your typical average foster mother...who happens to train her young wards to be hired killers! Dravis Trucker, her latest ward, has always yearned for a normal life. Now he's hoping to survive long enough to get his driver's license!

In this collection of letters, drawings, and photos, Anders Nilsen chronicles a six-year relationship and the illness that brought it to an end. Don’t Go Where I Can’t Follow is an eloquent appreciation of the time the author shared with his fiancée, Cheryl Weaver. The story is told using artifacts of the couple’s life together, including early love notes, simple and poetic postcards, tales of their travels in written and comics form, journal entries, and drawings done in the hospital in her final days. It concludes with a beautifully rendered account of Weaver’s memorial that Glen David Gold, writing in the Los Angeles Times, called “16 panels of beauty and grace.” Don’t Go Where I Can’t Follow is a deeply personal romance, and a universal reminder of our mortality and the significance of the relationships we build. Originally published as a limited edition in 2006, this collection includes a new afterword written by Nilsen.

By the delicate hand of Didier Kassaï (Storm Over Bangui) comes a comic book documentary about the street children of Bangui, told in a style that mixes photo and illustration.

Eli Valley’s comic strips are intricate fever dreams employing noir, horror, slapstick and science fiction to expose the outlandish hypocrisies at play in the American/Israeli relationship. Sometimes banned, often controversial and always hilarious, Valley’s work has helped to energize a generation exasperated by American complicity in an Israeli occupation now entering its fiftieth year.This, the first full-scale anthology of Valley’s art, provides an essential retrospective of America and Israel at a turning point. With meticulously detailed line work and a richly satirical palette peppered with perseverating turtles, xenophobic Jedi knights, sputtering superheroes, mutating golems and zombie billionaires, Valley’s comics unmask the hypocrisy and horror behind the headlines. This collection supplements the satires with historical background and contexts, insights into the creative process, selected reactions to the works, and behind-the-scenes tales of tensions over what was permissible for publication.