While traveling through an abandoned town in the Unknown, Greg’s singing catches the attention of a mysterious young woman named Sophie who requests the song as a gift. Greg gives her the song, and in exchange, Sophie leads the group to an old theater where her family convinces the boys to audition for their new play! Suspicious, Beatrice warns Greg and Wirt about the mysterious circumstances, Wirt almost sides with her—until she also says that Wirt would probably be a terrible main lead anyway. Determined to prove her wrong, Wirt decides to stay. After all… the show must go on.

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Horror anthology featuring various tales of the occult, mad science, and/or monsters. There was a brief publishing hiatus between issue #9 (February 1977) and #10 (September 1977). In issue #13, the series began featuring stories reprinted from other Charlton comics. Issue #17 is even a complete reprint of the series own #3, while featuring a new cover. Most of the stories are "narrated" by Colonel Whiteshroud.

SERIES PREMIERE PLANETOID PRAXIS is the long-anticipated sequel to the popular 2012 miniseries PLANETOID. The inhabitants of a distant planetoid have fought off their robot overlords and established a thriving settlement on the planetoid's mechanized surface. Now, years later, their de facto leader, Onica, must grapple with a new complication when their isolated way of life is threatened by the arrival of an unexpected visitor!

The book begins in Bolivia in 1967, then flashes back through Che's life — his childhood, his radicalizing motorcycle trip with Alberto Granado, his taking up of arms in Guatemala, his meeting with Fidel Castro, and his subsequent military and political maneuvers, ending in a fade-out to his death. Alberto Breccia and his son, Enrique, drew Life of Che. Enrique draws the Bolivia passages in a woodcut style, while Alberto depicts the flashbacks in his trademark, expressionistic black-and-white. It is primarily set in the field and with the people. Héctor Germán Oesterheld (The Eternaut) blends his authorial voice with Che's first-person. Life of Che is imbued with a sense of immediacy, as both Che and, eventually, Oesterheld would meet their ends by a military government backed by the American CIA. As Pablo Turnes writes in his afterword, it is "the testament of someone consciously marching toward his revolutionary death."