An atypical collection, in which Zerocalcare deals with important themes, before indulging in a long personal digression. From the condition of prisoners at the beginning of the pandemic, to the importance of local healthcare, from the seduction of the denunciation of "cancel culture" to the living conditions of the Yazidis in Iraq, this weighty volume offers no discounts to the reader. In the final story, the author recounts the doubts and anxieties of the last year, in which the world was wondering about the future and he was trying to understand once and for all what to do when he grows up.

To celebrate the holiday, the Femforce go to a haunted house charity event - unaware that the monsters who inhabit it that night are real - the mystical undead minions of Legion; heinous multi-demon of the nether regions. This untitled story is written and penciled by Greg (J.U.D.G.E)Horn, with inks by Jim Sanders III. It guest stars Alizarin Crimson. Then, as an extra horror feature for the season's enjoyment, a 1950's reprint, "The Last Man", by Earl Hammer, Jr. from fawcett's This Magazine Is Haunted #5, 1951.

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Typography confronts us everywhere: in books and newspapers, on road signs, product packaging and political leaflets. It is ubiquitous to the point of mundanity. But while the typeface might be secondary to the message, it remains crucial to the way we respond. Fonts spark emotions; they evoke eras and ideologies. Some, like Edward Johnson’s for the London Underground, have become iconic. Others, like comic sans, are loathed. Each one has its own place in history.The ABC of Typography traces 3,500 years of type, from Sumerian pictographs, through Roman calligraphy, to Gutenberg, the Bauhaus and beyond. Brimming with insight and anecdote, this witty and well-informed graphic guide explores the historical, technological and cultural shifts that have defined the look of the words we read, as well as introducing the artists who have marked typography’s long history.