Peter Nguyen comic
Along with Wallace Wood’s trademark 1970s Sally Forth and Cannon strips that ran in the Overseas Weekly military newspaper, Wood created a super-rare third strip, a sexy western, produced in 1972, named Shattuck. Wood originally conceived of, co-wrote (with Nick Cuti), and drew the layouts for Shattuck as a vehicle for his studio-mate, Golden Age Captain America artist Sid Shores, but turned it over instead to two young up-and-comers —Howard Chaykin (American Flagg!, Black Kiss) and the now-legendary X-Men artist, Dave Cockrum. Shattuck, the historic, very first credited ongoing feature for both Chaykin and Cockrum, has never been re-published or collected since it first appeared in Overseas Weekly more than 40 years ago. Full of gun-toting femmes fatale, fastdrawing lawmen, and snarling outlaws, Shattuck is a Western romp published in the same format as Fantagraphics’ bestselling Wood production of Cannon. As a bonus, while appearing to be in black and white, the entire book has been scanned from the carefully preserved originals in full-color to mimic as closely as possible the experience of viewing the actual original art, complete with paste-overs, notes, art corrections, etc. Previously enjoyed only by American servicemen in the Vietnam era, Fantagraphics Books and The Wallace Wood Estate and proud to present the missing link in Wood’s oeuvre in a beautifully designed and affordable format.
- Issue # TPB (one year ago)
Numbering continues from Haunt of Fear #3(17). Haunt of Fear originally carried numbering over from Gunfighter and Fat and Slat. With issue #4, Haunt of Fear changed to its own numbering and the inherited numbering moved to Two-Fisted Tales with issue #18.
Over the years, Sally Forth has made a consistent impressive growth in popularity. Why? Because it's every working mother's story! And because, as one reader wrote to her newspaper, it's about "a nuclear family whose trials and tribulations my husband and I repeatedly could relate to. We enjoyed sharing many strips with our children since we felt the strips depicted values we hope to instill in them." The National Women's Political Caucus presented Howard with its "Good Guy" Award for his "sensitive and humorous portrayal of the conflicts and victories that touch the lives of working women." As one newspaper editor said, "It's one of our top strips in every age bracket. It's amazing. Our readers have a real personal attachment to Sally."